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“There is nothing that smacks of populist, commercial art. I would place Wayne very high amongst the ranks of major American symphonists.”
Jerry Dubins, Fanfare Magazine 

 

 

..."Hayden Wayne, whose effective way of handling the keyboards, synthesizers and vocals elicited frequent enthusiastic responses from the audience ... proved that he could also become a headliner of the first magnitude!"
Didier Deutsch, BILLBOARD MAGAZINE, 1974 

 

 

“Hayden Wayne: Genius is as genius does (relentlessly).”
John Blenn, November, 2000 

 

 

Hayden Wayne

World Class Composer/Librettist
Full Biography

Hayden Wayne (born 3/2/49) (composer/librettist) may be one of the first in his generation to take the rare route through pop/rock music's highest levels to reach where he is today. He began playing piano at the age of four and played tenor drum in the orchestra pit of The King And I at the age of five which his father was conducting, and performed his first composition in concert at the age of eleven. He won a second prize medal for piano solo from the New York State Music Awards at fifteen. The '70s saw him performing in the pop/rock world for such major-label backed bands as Man (CBS Records) and Jobriath (Elektra Records). He toured with the likes of Sly Stone, the Yardbirds with Jimmy Page, Billy Joel, Gordon Lightfoot, Richie Havens, Gladys Knight and the Fifth Dimension. Eventually, tired of touring, he took (or rather went back) to composing. In his unique position - with a classical training and a wealth of pop/rock experience - he began experimenting with a synthesis of various genres/styles.

As a composer, in 1983 Mr. Wayne opened a new theater for the Mark Taper Forum in Los Angeles with his metaphorical circus WIRE, won $10,000 USD as national first place in 1987 from the National Institute for Music Theater with NEON (A Street Opera). In 2000, NEON won a 25,000 DM prize in the International Prague Opera Competition. He was commissioned to write IN MEMORIAM: A CELEBRATION, by the Interfaith Concert of Holocaust Remembrance, which premiered at Saint John the Divine in New York in 1993. Subsequently linked with SINFONIETTA # 1: THE KLEZMER and AN ELEGY INTO MADNESS, specifically commissioned for the Fiftieth Anniversary of Israel, and titled A TRIPTYCH, had its world première at Mandel Hall, the University of Chicago in January 1998. In February 1995, his SYMPHONY #4-FUNK had its world premiere at the Janacek Theatre in Brno, The Czech Republic. It sold out in one week seven months in advance and was requested to be part of the Twentieth Century Music Festival and performed at The Rudolfinum in Prague October 21, 1995. The recording of the work would ultimately find itself on the music play-list of President Bill Clinton’s Air Force One!

Mr. Wayne also has several film scores and award-winning commercials for television to his credit. To date, Mr. Wayne has written over four hundred compositions including: SYMPHONY #1-THE SYMPHONY OF FRIENDS; the ballet suite CIRQUE DE LA LUNE; DRACULA (Opera Erotica); PIANO CONCERTO #1 (The Rock "n' Roll) and CELLO CONCERTO #1 which are paired as a diptych; PIANO CONCERTO #2 (The Jazz), PIANO CONCERTO #3-The Romantic; VIOLIN CONCERTO #1; CLARINET CONCERTO #1; SINFONIETTAS #2 (It's a Boy), #3 (The Emerald), #4 and #5; VIOLIN/PIANO SONATA (The "Kraft"); The Symphonic Trilogy: #2-REGGAE, #3-HEAVY METAL, #4-FUNK; and SYMPHONY #5 AFRICA [A Tone Poem] (all recorded by the State Philharmonic of Brno, on New Millennium Records); the choral symphony, SYMPHONY #6-THE GIFT; SYMPHONY #7-CELESTIAL DANCES; SYMPHONY #8-1421; the choral symphony, SYMPHONY # 9-THE HOOP OF LIFE; SYMPHONY #10-DANCES ON THE FAR SIDE OF THE MOON; SYMPHONY #11-CARPE DIEM; SYMPHONY #12-AUCTORITAS; SYMPHONY #13-THE RISING LION; the string quartets: THE NUZEROV QUARTETS #1-enbergeThe Rosr Variations and #2-The Romantic, # 3, 4 & 5, #6, 7 & 8, and # 9 & 10, recorded by the Wallinger String Quartet; FIVE DANCES FOR CELLO AND PIANO and PIANO QUINTET #1 (all available on New Millennium Records); FIVE MORE DANCES FOR CELLO & PIANO; the musical X,Y,Z and hundreds of songs in various eclectic styles.

Jobriath

  • Up Next Requiem: Notre-Dame Is Burning (live)
  • Up Next FAITH BASED
  • Up Next Featured poet, Hudson Valley Poets, 10-9-2020
  • Up Next THE KARPELES MANUSCRIPT LIBRARY MUSEUM 12 5 2020
  • Up Next The Howland Cultural Center 6 11 2021
  • Up Next The Howland Cultural Center 11-13-2020
  • Up Next Requiem: Notre-Dame is Burning (in-studio version)
  • Up Next CYBORG NATION
  • Up Next Who Remembered When We Died and Why
  • Up Next TANGO
  • Up Next HAYDEN WAYNE opening remarks and other reading The Howland Cultural...

Lion Autumn Music Publishing

Books | Music

Established 1999 - Publishes music and words

Recognizing the power of artistic expression as an instrument to promote and protect democracy, as well as our responsibility to promote and protect literacy and moral rectitude, we offer proof of our witness through the power of words and music through the offerings of our work, in order to not only document for all conscious souls to experience, but leave an ongoing legacy, for our actions are the actions of the future, and as such, recognize this moment as sacred for the next seven generations.

LION AUTUMN MUSIC PUBLISHING
est.: 1999
21 West 86th Street
Suite 807
New York, N.Y. 10024
ASCAP

New Millennium Records

Founded in 1997, the company's mission statement reads as follows:

We promote public awareness of humanism, intelligence and excellence, of recognizing our assets, not just the deficits, that every artist, painter, architect, every scientific thought, every note of music, every level of excellence, whether in the boardroom or the playing field, comes from within us and and is the very essence of our souls.


There are on-line retail stores services featuring musical and video recordings, downloadable music files, books, writings, compositions and artwork. We promote others by providing links to a wide variety of websites that showcase human accomplishment and expression in the form of praiseworthy human endeavors, visual art, music, architecture, philosophy, written prose, science, history, editorial and anything virutous.

It also features the recordings of composer Hayden Wayne, of whom Jerry Dubin, of Fanfare Magazine, said: "There is nothing that smacks of populist, commercial art. I would place Wayne very high amongst the ranks of major American composers."

I.C.P.N.C.

The INTERNATIONAL COLLABORATIVE FOR THE PERPETUATION OF THE NEW CLASSICISM, Inc. (I.C.P.N.C.), EIN # 31-1737690, was established to fund the promotion of new music by composers who have joined the talents of different artists from around the world. The attempt is to generate a new audience for classical music and stem the tide of attrition because the remaining classical loyalists are slowly dying away. These are critical times and something must be done.

Recognizing all disciplines of music worthy of revisiting, the I.C.P.N.C. especially wants to bring attention to the excellence of all folk music of recent generations and, in particular, those that have been expanded upon into full classical and symphonic style.

The composers and artists will represent the best of classical as popular culture, as were the great masters in their own time. This is the new classicism, based on the folk music of the past fifty years, not in leu of the old, but the continuing discovery of anything worth re-visitation regardless of discipline.

Contributions of any size are most welcome!

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I disavow affiliation with any political party. Neither liberal nor conservative, I am a Humanist, dedicated to doing what is right.

Slide 1

This is my endorsement of Hayden Wayne, a brilliant young composer, who should be shown every opportunity!

Lukas Foss
January 21, 1988
Slide 1

“…His work is very well wrought and refreshingly original, but at the same time more accessible to the average listener than most new music. Mr. Wayne seems to understand what our age needs at this point. Thus, he is capable of writing in the popular idiom as well, and of transforming it into serious symphonic music which still has the beat and throb of the more vernacular styles of today. Has not classical music always drawn upon folk and dance music?”

Maurice Edwards, Artistic Director
Brooklyn Philharmonic Orchestra
1990
Slide 1

…Wayne, a forceful composer!

Variety, 1983
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“(Rock ‘n’ roll piano concerto is) lots of fun, serious fun, and well written.”

Lucas Foss
Composer/Conductor/Pianist
1996

“…I have been aware of his work for a number of years and have been impressed by his growth as a writer. I was fortunate to have seen the National Institute of Music Theatre’s reading of NEON and can understand why NIMT felt the work worthy of it support.”

Bernice Cohen
ASCAP
1989
Slide 1

He has a lyrical voice missed with a little wit, plenty of passion and tremendous sense of drama. What Gershwin did with jazz, he does with rock ‘n’ roll! A truly original voice who should be heard

Mark J. Petracca
The New Review of Records
1995
Slide 1

“THE WANT LIST …and just plain entertaining-Hayden Wayne’s Fourth Symphony-FUNK on New Millennium Records…”

Stephen Ellis
Fanfare Magazine
1997

“…If Haydn could use Austrian folk music in his symphonies, if Shubert could indulge the Landler, Ives create congestions of band marches, hymns, anthems and popular songs, then why shouldn’t Hayden Wayne write vivacious symphonies based on (and subtitled) REGGAE, HEAVY METAL and FUNK? … His four movement, 45-minute SYMPHONY #4-FUNK, lately recorded the Brno State Philharmonic under Leos Svarovsky (New Millennium 61596) is pervasively dominated by finger-snapping syncopations of funk, that campy distillation of rhythm and blues, rock and jazz. Using the resources of a large orchestra, Wayne goes on to accrete thrilling crescendos and climaxes in the manner of Rossini’s comic finales.”

Scott MacClelland
Coast Weekly
1997
Slide 1

“A pleasant accessible tonal language (and) the piece is certainly technically very adroit. Your (FUNK) symphony will be instantly popular and successful."

Gunther Schuller
Composer/Conductor/Performer

“Wayne writes well for orchestra, and he knows a certain market. The reggae rhythms (the backbeat eighths on 2 and 4) are varied and not omnipresent. And who knows, maybe someday the genre will have an honored tradition in concert music akin to the tango. Time will tell, in so many ways…

While his work seems closer to Dvorak and Gershwin than to Bob Marley et al, Wayne’s gift for lyricism and invention are real. The New Millennium Recording of the four-movement work by the State Philharmonic of Brno, conducted by Leos Svarovsky, does the piece justice. The performance has energy, excitement and a certain “From the New World.”

Steve Shaffer
21st Century Music
2001
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